Thanks again HTML Giant

this time for introducing Amelia Gray, who beautifully described the ‘shifting impulses’ in the making of a story:

B: Once you have your idea, say, babies, how do you go about “writing your way out of it”? How do you know when you are “out”?

A: In the story I wrote about babies called “Babies,” I started with an ordinary fear of accidental pregnancy and unwilling parents and put it into the context of an irrational fear, where the baby is immediately there and there’s no time to have serious conversations or hold a baby shower or make a doctor’s appointment. The ordinary fear combines with the irrational fear and sets off a rational string of events. Obviously the woman is going to want to clean everything up. The baby is hungry, there’s no food in the house. That’s a more comic story, things are lightly touched. I could have made it more about umbilical cord infections or traumatic blood loss or flesh ripping or whatever, but I wanted to keep the real bumping up against the unreal, babies floating inside balloons. At the end I felt the impulse to make it a happy story, where the relationship is saved and the individuals are improved, and then I felt the impulse to crush that impulse in as few words as possible, and then I felt I was out. I had the plot of that story down fast, so I remember the impulses shifting. That’s not how it always goes but it’s how it went then.

Lovely, that.